What 3D takes away from a movie ∞

Daniel Engber, for The New Yorker: I liked the Herzog movie, as well as Godard’s, which made a fetish of its glitchy, sloppy stereography. But I worry that films like these reveal an overarching and myopic ideology, in which 3-D serves as anti-art, or as a tool for the puncturing of spectacle. That mixes up 3-D…